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Archivo:Münster, LVM, Skulptur -Körper und Seele- -- 2016 -- 5920-6.jpg
Resumen
| Descripción |
Deutsch: Skulptur „Körper und Seele“ (Duk-Kyu Ryang, 2015) vor dem Bürogebäude (LVM 4, LVM 5) der LVM, Münster, Nordrhein-Westfalen, Deutschland
Die Anfänge des heutigen LVM-Campus gehen auf das Jahr 1967 zurück. In dem Jahr wurde der Standort am Kolde-Ring Ecke Weseler Straße bezogen. Die sieben Versicherungsgebäude des Campus liegen südlich des Stadtzentrums von Münster. Der nördliche Teil der Von-Stauffenberg-Straße durchzieht den Campus, südlich wird er von der Sperlichstraße begrenzt. Die LVM-Gebäude wurden zwischen 1965 und 2014 errichtet. Insbesondere die drei Hochhäuser der Versicherung gehören zur Silhouette Münsters. Die ebenerdigen Skulpturen „Körper und Seele“ (Duk-Kyu Ryang, 2015) und „Zwei Pferde für Münster“ (Stephan Huber, 2002) bilden zentrale optische Elemente der Geländegestaltung. Der 63 Meter hohe Büroturm LVM 5, „Kristall“ genannt, ist ein durch die Bauform besonders markantes Gebäude, das 80 Meter hohe Gebäude LVM 3, „Tower“ genannt, eines der höchsten Gebäude Münsters. English: Sculpture “Body and Soul” (Duk-Kyu Ryang, 2015) in front of the office building of the LVM, Münster, North Rhine-Westphalia, Germany
The origins of today’s LVM campus date back to 1967, when the company moved into its premises on Kolde-Ring at the corner of Weseler Straße. The campus’s seven insurance buildings are located south of Münster city center. The northern part of Von-Stauffenberg-Straße runs through the campus, while Sperlichstraße forms its southern boundary. The LVM buildings were constructed between 1965 and 2014. The insurance company’s three high-rise buildings in particular are part of Münster’s skyline. The ground-level sculptures “Body and Soul” (Duk-Kyu Ryang, 2015) and “Two Horses for Münster” (Stephan Huber, 2002) are central visual elements of the site design. The 63-meter-high office tower LVM 5, known as “Crystal”, is a particularly striking building due to its design, while the 80-meter-high building LVM 3, known as “Tower”, is one of the tallest buildings in Münster. Čeština: Skulptura “Tělo a Duše” v komplexu Duk-Kyu Ryang před budovou pojištovny LVM Insurance, Münster, Severní Porýní-Vestfálsko
Español: Escultura “Cuerpo y alma” (Duk-Kyu Ryang, 2015) delante del edificio de la aseguradora LVM en Münster, Renania del Norte-Westfalia, Alemania
Français : Sculpture «Corps et âme» (Duk-Kyu Ryang, 2015) devant l’immeuble de bureaux (LVM 4, LVM 5) de LVM, Münster, Rhénanie-du-Nord-Westphalie, Allemagne
Magyar: Duk-Kyu Ryang Test és lélek című szobra az LVM biztosítótársaság münsteri irodája előtt (Észak-Rajna-Vesztfália, Németország)
Italiano: Scultura “Body and Soul” (Duk-Kyu Ryang, 2015) di fronte al palazzo per uffici della LVM Versicherung a Münster, Renania Settentrionale-Vestfalia, Germania
Македонски: Скулптурата „Тело и дух“ (Дук-кју Рјанг, 2015) пред зградата на Земјоделското осигурително друштво (LVM) во Минстер, Северна Рајна-Вестфалија, Германија
Nederlands: De sculptuur Body and Soul voor het kantoor van de Landwirtschaftlicher Versicherungsverein Münster (LVM) in de Duitse deelstaat Noordrijn-Westfalen
Polski: Rzeźba Ciało i dusza z 2015 roku autorstwa Duk-Kyu Ryang stojąca przed biurowcem firmy ubezpieczeniowej LVM w Münster, w Nadrenii Północnej-Westfalii, w Niemczech
Português: «Corpo e alma», uma escultura do artista Duk-Kyu Ryang, de 2015, no pátio do edifício da seguradora LVM em Münster, Renânia do Norte-Vestfália, Alemanha
Українська: Скульптура «Тіло і душа» (Дук-Кю Рян, 2015) перед офісною будівлею LVM (LVM 4, LVM 5), Мюнстер, Північний Рейн-Вестфалія, Німеччина
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| Localización |  Münster-Aaseestadt ◁ Mitte-Süd ◁ Stadtbezirk Münster-Mitte ◁ Münster ◁ Münster ◁ Renania del Norte-Westfalia ◁ Alemania ◁ Europa |
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| Representa a | Body and Soul – sculpture "Body and Soul" by Duk-Kyu Ryang (in Münster) | ||||||||||||||||||||||||||||||||||||||||
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| Los datos de imagen |
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| Fecha | Tomada el 23 de diciembre de 2016, 06:24 | ||||||||||||||||||||||||||||||||||||||||
| Fuente | Fotografía propia | ||||||||||||||||||||||||||||||||||||||||
| Autor |
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| Permiso (Reutilización de este archivo) |
 .svg) I. Licence
This photograph is protected by copyright law. However, it may be used for free by anyone, provided it is used in accordance with the license Creative Commons License “Attribution-ShareAlike 4.0 International” (CC BY-SA 4.0). These include, among other things, the naming of the author and the license, as well as the setting of a link to the license text or its complete imprint. The attribution should be done as follows:
Please read the text of the license carefully before using the photograph. If you do not agree with the conditions of the license or if you do not understand these conditions, please refrain from using the photo. If you have any questions regarding the license or the reuse of the image, please contact me before using it. If you do not comply with the terms of the license, you do not acquire any right to use the image. If you need another license to use, please contact the author before using.
For informations about the licence see section Licencia or as human-readable summary or as full licence text at Creative Commons. In addition to the above, a link to the source - so this page with the descriptions and license terms - is appreciated. More information or examples of use can be found at re-use (with example file). The Attribution Generator is helpful in licensing matters.
As an alternative to the Creative Commons License CC BY-SA 4.0, the Free Art License (from version 1.3) may also be used.
II. Fairness
From printed materials and other tangible products that use that work, the user is asked to send a copy to the author as thank you. However, this is not a condition for the use of the photo, but a voluntary service. The mailing address can be requested via the contact options.
Please note that the author had quite considerable effort to draw up this file. Thus, it is only fair to comply with the conditions of free licenses listed here. In the case of violation of the license conditions, the rights granted hereunder will expire automatically.
III. Disclaimer
Please note that the rights granted under the license apply exclusively to the photograph itself, but not to the rights of third parties — such as copyrights or property rights in the object depicted or the personal rights of any individuals who may be depicted. (See licences and non-copyright restrictions.) I do not grant any warranty that the subsequent use of the photograph is legally possible concerning the object or person shown in the photograph. You are responsible to check and respect these rights in the publication in the respective medium or country.
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IV. Contact
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| Atribución (requerido por la licencia) | Dietmar Rabich / Wikimedia Commons / /
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| Short URL | https://w.wiki/9AuH, https://w.wiki/_ts8k (Shortlink) |
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| Palabras clave | Building, Bürogebäude, Deutschland, Duk-Kyu Ryang, Germany, LVM, LVM Landwirtschaftlicher Versicherungsverein Münster, Münster, Nordrhein-Westfalen, North Rhine-Westphalia, Office building, Sculpture, Skulptur, Westfalen, 4, 2015, … Alemanha, Architectural element, Architectural photography, Architecture, Architektur, Architekturelement, Architekturfotografie, Available light, Available light photography, Bauwerk, Bild des Tages, Bildhauerkunst, Commerce building, Denkmal, Drittel-Regel, Economy, Escultura, Exzellentes Bild, Facade, Fassade, Featured picture, Fenster, Fotografie von Kunstwerken, Four, Gebäude, HDR, HDRI, HDR-Image, High Dynamic Range Image, Hochkontrastbild, Kreis Wesel, Kultur, Kulturdenkmal, Kunst, Kunstwerk, Licht, Münsterland, Nacht, Nachtaufnahme, Nachtfotografie, Niemcy, Night, Night shot, Ökonomie, Picture of the day, Qualitätsbild, Quality image, Reflection, Reflexion, Renânia do Norte-Vestfália, Ruhrgebiet, Rule of thirds, Seguro, Skyline, Spiegelbild, Spiegelung, Stephan Huber, Tone-mapped HDR image, Unternehmen, Vier, Wesel, Window, Wirtschaft, 2016 |
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| Ubicación del objeto |  | Ubicación de esta y otras imágenes en: OpenStreetMap |  |
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| Posición de la cámara | | Ubicación de esta y otras imágenes en: OpenStreetMap | |
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NOTE: For this image, at least three individual images were combined as a High Dynamic Range Image (HDRI) and tone mapping (or as an exposure fusion (pseudo HDRI)) and were thereby processed digitally. Therefore, this picture may not reflect reality exactly in every detail. |
Valoración
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Esta imagen ha sido seleccionada como la Imagen del día el 5 de septiembre de 2017. Fue descrita como sigue: Español: Escultura “Cuerpo y alma” (Duk-Kyu Ryang, 2015) delante del edificio de la aseguradora LVM en Münster, Renania del Norte-Westfalia, Alemania. Otros idiomas:
Čeština: Skulptura “Tělo a Duše” v komplexu Duk-Kyu Ryang před budovou pojištovny LVM Insurance, Münster, Severní Porýní-Vestfálsko. Deutsch: Skulptur „Body and Soul“ (Duk-Kyu Ryang, 2015) vor einem Bürogebäude der LVM Versicherung, Münster, Nordrhein-Westfalen, Deutschland English: Sculpture “Body and Soul” (Duk-Kyu Ryang, 2015) in front of the office building of the LVM Insurance, Münster, North Rhine-Westphalia, Germany Español: Escultura “Cuerpo y alma” (Duk-Kyu Ryang, 2015) delante del edificio de la aseguradora LVM en Münster, Renania del Norte-Westfalia, Alemania. Italiano: Scultura “Body and Soul” (Duk-Kyu Ryang, 2015) di fronte al palazzo per uffici della LVM Versicherung a Münster, Renania Settentrionale-Vestfalia, Germania. Magyar: Duk-Kyu Ryang Test és lélek című szobra az LVM biztosítótársaság münsteri irodája előtt (Észak-Rajna-Vesztfália, Németország) Nederlands: De sculptuur Body and Soul voor het kantoor van de Landwirtschaftlicher Versicherungsverein Münster (LVM) in de Duitse deelstaat Noordrijn-Westfalen Polski: Rzeźba Ciało i dusza z 2015 roku autorstwa Duk-Kyu Ryang stojąca przed biurowcem firmy ubezpieczeniowej LVM w Münster, w Nadrenii Północnej-Westfalii, w Niemczech. Português: "Corpo e alma", uma escultura do artista Duk-Kyu Ryang, de 2015, no pátio do edifício da seguradora LVM em Münster, Renânia do Norte-Vestfália, Alemanha. Македонски: Скулптурата „Тело и дух“ (Дук-кју Рјанг, 2015) пред зградата на Земјоделското осигурително друштво (LVM) во Минстер, Северна Рајна-Вестфалија, Германија. |
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La reproducción fotográfica de esta obra protegida se rige por el artículo § 59 de la Ley de derechos de autor alemana, que establece que "Se permitirá reproducir, mediante pintura, dibujo, fotografía o cinematografía, obras que se encuentren permanentemente ubicadas en vías públicas, calles o lugares y para distribuir y comunicar públicamente tales copias. Para obras de arquitectura, esta disposición será aplicable sólo a la apariencia externa".
Al igual que con todos los demás "límites de derechos de autor por usos legalmente permitidos", no se permiten modificaciones en la obra original bajo la Sección § 62 de la Ley de derechos de autor alemana (UrhG). Véase Commons:Reglas de derechos de autor por territorio/Alemania#Freedom of panorama para obtener más información.
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Notas
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Of course, a free license is no carte blanche for use. In particular, there are restrictions not based on the license, for example to the personality rights of the author (Copyright law of Germany, §§ 12 to 14 of the German Copyright Act). This is especially true for the required attribution and the use of the image. It is expressly not allowed to give the impression through the use of the image, that the author supports the work, in which the image is used, or whose rights holders in any way.
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The title (or, alternatively, the filename) is part of the license’s required information and should therefore not be changed. If any of the information is incorrect, the author would appreciate being notified.
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For photographers
First, you should be aware that a good photo is taken by the photographer themselves. The focus is therefore on composition and creativity. At least when you are starting out, it is advisable to follow the rules of composition. The camera and lens are tools for creating the photo. Technically speaking, a photo is only as good as the tools allow it to be.
If creativity and high quality are important to you, you should say goodbye to fully automatic mode. However, individual automatic functions can be useful. It is better to make some camera settings consciously, so it is also important to use them selectively.
There are only a few basic parameters that affect a photo. These are aperture, exposure time and ISO value. The aperture determines the depth of field in the image. The wider the aperture is open, the less sharp the image will be, and vice versa. However, the aperture should only be closed as far as is absolutely necessary. The exposure time should be short enough to prevent the photo from being blurred. The shorter it is, the more likely it is that movement will be frozen. The ISO value determines how sensitive a sensor is to light. The higher it is, the more sensitive it becomes. (More precisely, the light signal is amplified.) However, this has a disadvantage, because as the ISO value increases, so does the noise.
You should be able to focus correctly on the camera. You don’t necessarily have to focus manually, but you should be able to select the appropriate focus fields yourself. Furthermore, the significance of the focal length and its effect on the photo should be actively selected. For example, a longer focal length results in a compression effect, which has its own image effect. Even when using a zoom lens, it can’t hurt to take a few steps forward or backward.
Of course, this is only a very brief overview. There are other influencing factors and parameters, but these cannot be conveyed in the brevity of this text.Maybe you’re waiting for the “perfect” subject. For better light. For more time. But creativity doesn’t start with perfect conditions — it starts with curiosity. With the courage to look. With the decision to get started today.
The light in the morning tells different stories than the light in the evening. Shadows paint patterns on walls. Raindrops transform into tiny universes when viewed in macro. An ordinary street becomes a stage when you observe it patiently.
You don’t need the most expensive equipment. You need your eye. Ask yourself:
- What do I overlook every day?
- How does this moment feel?
- What happens when I get closer — or further away?
Allow yourself to experiment. Play with perspectives. Crouch down. Take pictures against the light. Deliberately crop something out. Break the rules — after you know them. Not every picture has to be perfect. Every picture can be a step.
Creativity comes from doing. So get going. Capture what moves you. Show your view of the world — because no one else sees it the way you do.
Your camera is not a tool for perfection.It is a tool for expression.
Fotografías
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 You like this photograph? That pleases me very much! You would like to see more of my pictures? With pleasure.
Wikimedia Commons has a large number of my photographs available under a free license. This makes it easy for you and me. The license details are for each picture. The use is easier than you think, because in essence, this is just the attribution in the form I want. In addition, usage notes are listed for each picture. And if it does not fit, just ask. My contact information is also available with every photograph. |
Every photographer has maxims that guide him or her. Sometimes they exist consciously, sometimes unconsciously. So here is an attempt to formulate this maxim for my own photos:
- I have to like the photos myself. Even if interests change over the course of time, this means that primarily subjects of personal interest are photographed. Subjects of secondary interest serve to increase knowledge and experiment with other techniques or subjects. Commissioned work with special design requirements is not carried out.
- Free knowledge should be supported. The photos should support knowledge and education in every possible way. I see free knowledge as a valuable asset. There is no commercial interest and it would also stand in the way of creativity.
- The joy of photography should be visible. Photography should be fun. Beautiful pictures should enable fantasy worlds. My photos should convey all of this.
- Photos are only offered to third parties if they have been finally processed. The entire development process is carried out by me, from the choice of motif to post-processing. Changes of any kind by third parties are therefore not acceptable. Use is of course permitted subject to the license conditions.
- The technically possible should be utilized. The equipment sets limits, but the photos should be taken within these limits. This also means that photos are usually taken in raw data format.
- The photos are part of a creative process. From the idea to the choice of motif to post-processing, the creative process is utilized and the individual view is used to shape it.
- The photos should serve as a model for others and arouse interest in photography. Photography has many facets, from documentation to artistic use. The special features of this medium are intended to arouse interest in photography and also photographic art.
- The photos should have a positive effect. My hope is that the photos will help make the world a little bit better and have a positive impact on how we interact with each other. That is why I am particularly pleased when the photos are used for educational purposes or volunteer work.
Historial del archivo
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| Fecha y hora | Miniatura | Dimensiones | Usuario | Comentario | |
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| actual | 12:41 1 ene 2017 | Sin miniatura | 5371 × 3357 (7,91 MB) | wikimediacommons>XRay | crop, minor fixes |
Usos del archivo
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